Masha Luch is a contemporary multimedia artist originally from a small town in the Pre-Ural region of Russia.
She holds a Master’s degree in Fashion Design from a university in St. Petersburg (2011), which marked the beginning of her professional career in the fashion industry. Over more than five years in the field, she began to develop her artistic voice, integrating design principles with conceptual approaches to visual expression.
In 2012, she completed a design course at Central Saint Martins, London, which expanded her creative methodology and introduced new directions in visual and motion design. In the following years, she worked as a designer and art director on projects for international brands, while continuing to explore personal artistic research.
Her current practice spans sculpture, textile-based art projects — drawing on her fashion background — and multimedia installations. In 2022, she deepened her approach to contemporary art by participating in a research-focused program in artistic methodologies, led by curator Hanna Zubkova (Paris). That same year, she published an independent research-based artist book, further expanding her interdisciplinary practice.
Masha currently lives and works in Podgorica, Montenegro. Her works are included in private collections internationally, reflecting a growing interest in her evolving artistic vision.
My fascination with cryptograms and visual puzzles began during my studies in fashion design, where I approached clothing as a cultural disguise and a non-verbal form of psychological communication. This evolved into a sustained interest in the mimicry of objects, camouflage, and visual codes of concealment.
I work across textiles, sculpture, video, and digital media. This fluidity echoes one of the core themes of my practice — disguise. Through minimal, tactile, and open-ended visual language, I create spaces for multiple interpretations, inviting the viewer to complete the narrative through their own experiences.
Berlin, Germany / 2024
Chaos / IMPREINT
London, United Kingdom / 2024
School Gallery / PostScriptum Projects
Mišići, Montenegro / 2024
Now / Lendoc Gallery
Saint-Petersburg, Russia / 2024
Zero_Zero project / Kafedra Gallery
Herceg Novi, Montenegro / 2023
Autocenter Pod Gorica / PostScriptum Projects
Podgorica, Montenegro / 2023
I AM VULNERABILITY / Biennial of Youth '23
Belgrade, Serbia / 2023
Mirage / Kafedra Gallery
Herceg Novi, Montenegro / 2023
ART ON LOOP / The Holy Art Gallery
Amsterdam / Brussels / Paris / 2023
Visible emptiness / Kafedra Gallery
Herceg Novi, Montenegro / 2023
Traces of Time / Primo Piano Gallery
Lecce, Italy / 2023
Homecoming / Art Kvartal
Yerevan, Armenia / 2023
Acid on a saucer or how we ate hype / Art Center Fligel
Vladimir, Russia / 2022
Vogue / Boomer Gallery
London, United Kingdom / 2022
BBE / Electrozavod Gallery
Moscow, Russia / 2022
NIZINA FEST / Art Space Zero Room
Samara, Russia / 2022
Annihilation / Art Space LoftPskov
Pskov, Russia / 2022
Fashion show Mados Injectija
Vilnius, Lithuania / 2011
VII design and art biennale Modulor
Saint Peterburg, Russia / 2009
a critical essay about the artist with the publication of works
aedrafinearts.com
Atlanta, United States / 2025
Suboart Magazine
A spread with a column about the artist and the publication of artworks. May print and digital issue of Suboart magazine No.23
suboartmagazine.com
Lisbon, Portugal / 2024
Aedra Fine Arts
A column about the artist and practice with the publication of the artworks.
aedrafinearts.com
Atlanta, United States / 2024
VerbumPress
"Blow" graphics are featured on the cover of the February issue of the magazine. A column about the artist and practice with the publication of the artworks.
verbumpress.it
Italy / 2024
Traces of Time
The catalogue of the exhibition participants.
Lecce, Italy / 2023
TATLIN
The interview for the web site on the topic "The everyday routine and art".
tatlin.ru / 2023
TATLIN Open Library
The publishing house Tatlin placed the project LAST PRICE in their open library
tatlin library / 2023
Chislennichek 2023
The project of a tear-off calendar, which at the same time is a large-scale exhibition collected by curators from the works of artists from Russia and other countries of the world.
Moscow, Russia / 2022
Vogue / Fourth Edition
The catalogue of the exhibition participants.
London, United Kingdom / 2022
Centras magazine
the personal interview, photo of the author's fashion collection and graphics.
Vilnius, Lithuania / 2011
Lady Time magazine
The photos of the author's fashion collection.
Saint Petersburg, Russia / 2010
DesignInform magazine
The photos of the author's fashion collection.
Saint Petersburg, Russia / 2010
Nadeghda-8
The artwork catalog of exhibition participants, publication of author's paintings.
Saint Petersburg, Russia / 2010
Nadeghda-7
The artwork catalog of exhibition participants, publication of author's paintings.
Saint Petersburg, Russia / 2009